Radio
Microphones
Micron single channel systems with
portable receivers and CNS noise reduction
system,
or diversity dual input receivers, with or
without CNS.
Diversity receivers are available
either singly or in 19" racks of up to eight
modules.
Sennheiser diversity dual input
receivers with Hi-Dyn noise reduction
system.
Diversity receivers are available
either singly or in 19" racks of two
modules. (radio
mic information)
Systems are stocked on frequencies for use by
broadcasters, theatres and general users. |
day
|
hire duration
week |
month |
HAND-HELD
RADIO MICS
Sennheiser UHF hand-held mic & transmitter SKM565 + rack mountable
diversity receiver EM2003, cardioid condenser mics. (picture) |
35 |
115 |
350 |
| Micron TX503 hand-held mic & transmitter with
CNS + MR510 portable receiver + battery or mains
power supply. (picture) |
20 |
67 |
200 |
| Micron
TX503 hand-held mic & transmitter with CNS +
MDR530 diversity mains powered receiver with CNS
+ 2 dipole antennae. |
30 |
100 |
300 |
Scanner
budget hand-held mic & transmitter +
diversity mains powered receiver.
UHF with 16 switchable
frequencies. |
20 |
67 |
200 |
TIE-CLIP
RADIO MICS
Micron TX502 pocket transmitter with CNS + MR510
portable receiver + battery or mains power supply
+ choice of Sony, Sennheiser or Tram tie-clip
mic. |
20 |
67 |
200 |
| Micron
TX102 / 502 pocket transmitter + MDR3 / 530 / 540
diversity receiver, 2 dipole antennae + choice of
Sony, Sennheiser or Tram tie-clip mic. + 1 spare
mic. (picture) |
30 |
100 |
300 |
| Sennheiser
UHF pocket transmitter SK2012 + rack mountable
diversity receiver EM2003, + sub-miniature
tie-clip microphone MKE-2 (black or pink). |
34 |
115 |
340 |
RADIO
SYSTEMS WITH OTHER MICS and
RADIO TALKBACK
Micron TX102 pocket transmitter with no mic.,
Input leads available for a variety of sources
such as a dynamic mic (e.g. Shure SM10 head mic),
a guitar jack plug, or a line input, MDR3
diversity receiver + 2 dipole antennae. |
28 |
93 |
280 |
| Micron
TX102 pocket transmitter + input lead for
Sennheiser T-powered mics, MDR3 diversity
receiver + 2 dipole antennae. |
28 |
93 |
280 |
| Beyer
radio talkback system with TE170 pocket receiver
& earpiece, TS170 transmitter, choice of
tie-clip mic or XLR line input lead, VHF. |
22 |
75 |
220 |
ACCESSORIES
FOR RADIO SYSTEMS
Yagi antenna for maximum forward gain &
interference rejection -
VHF: 3 elements, 1.3m
long, with balun & 1.5m cable,
UHF: multi-element, 0.3m
long.
UHF: active Yagi plate.
Omni-directional antennae - UHF: compact
ground plane antenna.
Antennae masts, fittings and cabling also
available. |
6
|
20
|
60
|
R.F.
distribution amplifier ADA114. One VHF input
actively distributed into 4 BNC outputs.
Supplied with dipole antenna, long input lead
& PSU. |
6
|
20
|
60
|
Capacitor microphones
|
| A.K.G.
C451 + Ck1 cardioid capsule. |
6 |
20 |
60 |
| A.K.G.
C451 + Ck22 omni directional capsule. |
7 |
23 |
70 |
| A.K.G.
C451 + Ck5 cardioid capsule in shock-resistant
suspension & mesh shield. |
7 |
23 |
70 |
| A.K.G.
C451 + Ck8 super cardioid gun capsule. |
9 |
30 |
90 |
| A.K.G.
C451 + Ck9 hyper-cardioid rifle capsule. |
10 |
33 |
100 |
| A.K.G.
Vr1 kit, comprising C451 body, Ck1 / Ck5 cardioid
capsule, Vr1 13" extension tube, heavy shock
mount table stand with 3" height extensions. |
12
|
40
|
120
|
| A.K.G.
Vr2 kit, comprising C451 body, Ck1 small cardioid
capsule, Vr2 50" extension tube, heavy
shock-mount floor stand, 3" height
extensions to stand. |
18
|
60
|
180
|
| A.K.G.
C418 compact clip mic, to attach to drums, horns
etc.. |
7 |
24 |
70 |
| A.K.G.
C414 Large diaphragm, 4 switchable patterns,
attenuator pad. |
15 |
50 |
150 |
| Neuman
U 87 high quality large diaphragm capacitor mic.,
3 patterns, attenuator pad, 48v power.
(picture) |
18 |
60 |
180 |
| Sennheiser
K3 + MKE2 miniature omni tie-clip electret,
clips, phantom or battery power |
7 |
23 |
70 |
| Sennheiser
MKH 416 super cardioid gun mic, pistol grip,
Rycote windshield, wind-sock and TU-powering unit
with switchable attenuator & l.f. roll-off. |
16 |
53 |
160 |
STEREO MICS
Sony
ECM979 MS stereo electret microphone, battery,
c/w adaptor to 2 XLRs. |
12 |
40 |
120 |
LAVALIER / TIE-CLIP MICS
Sony
ECM55/50 omni tie-clip electret + clips +
windshield + body, XLR, phantom or battery power. |
10 |
33 |
100 |
| Sony
ECM150 omni tie-clip electret + clips. Battery
power only (type 675 button battery), unbalanced
jack output with XLR adaptors. |
5 |
17 |
50 |
| TRAM
TR50 B omni tie-clip electret + clips +
windshield + body, Lemo & XLR, battery
powered or powered from Micron radio
transmitters. |
10 |
33 |
100 |
P.Z.M. / BOUNDARY LAYER MICS
Amcron
PCC 160 super-cardioid boundary layer mic. (PZM),
for table or stage-floor use. XLR. (picture) |
8 |
27 |
80 |
| Audio Technica
PRO 42 half-cardioid boundary layer mic. (PZM),
for table or stage-floor use. XLR. |
8 |
27 |
80 |
| Realistic
PZM boundary layer mic, battery power (1 x size
AA), XLR. |
4 |
13 |
40 |
SPECIAL MICS
C -
Ducer CXD-8 contact mic. Attaches to acoustic
instruments, phantom or battery. |
5 |
17 |
50 |
| Shure
SM82 line level output mic. with limiter,
cardioid pattern, phantom or battery. |
9 |
30 |
90 |
Dynamic microphones
|
| Shure
SM 58 Vocal dynamic cardioid. (picture) |
6 |
20 |
60 |
| Shure
SM 57 Instrument dynamic cardioid. (picture) |
6 |
20 |
60 |
| Sennheiser
MD 421 Dynamic cardioid mic, adjustable bass,
high SPL. |
8 |
27 |
80 |
| Sennheiser
MD 504 compact drum mic, with clip to attach to
drum rim. (picture) |
6 |
20 |
60 |
| Beyer
M201 Instrument dynamic hyper-cardioid. |
6 |
20 |
60 |
| A.K.G.
D12 Large diaphragm bass instrument, dynamic
cardioid (picture) |
10 |
33 |
100 |
| Shure
SM 10-A Headband mounted vocal dynamic.
(picture) |
10 |
33 |
100 |
| Shure
Prologue 12 Budget speech dynamic cardioid, with
On/Off switch. |
4 |
13 |
40 |
Mixers
|
| Soundcraft
40 input Spirit-8, 8 groups plus stereo outputs, 4
band Eq (2 sweep mids), 6 aux sends (2 pre, 2 post, 2 switchable),
inserts on inputs and outputs, 4 mute groups, 8 x 2 output matrix,
phantom, meter bridge. (picture) |
70 |
240 |
700 |
| Soundcraft
32 input 400B, 4 groups plus stereo outputs, 4
band Eq (2 sweep mids), 4 aux sends (2 post, 2 switchable), inserts on
inputs and outputs, 8 tape returns, phantom, meter bridge. |
60 |
200 |
600 |
| Yamaha
PM 1800, 16 inputs, 8 groups plus stereo outputs,
4 sweep Eq., 6 aux sends, 4 stereo aux returns,
8 mute groups, solo in-place,
inserts on inputs and outputs (on separate jacks
for send & return), 8 x 4 output matrix,
phantom, meter bridge. (picture) |
50
|
170
|
500
|
Soundcraft
Spirit Live 12-8. 12 mono mic/line inputs with
4 band Eq, 2 sweepable mid., 4 aux. sends,
main L & R outputs plus mono out,
phantom power, headphone jack (picture) |
25 |
80 |
250 |
| Alice
12-28S special, production mixer, 6
mic/line inputs and 6 stereo disc/line I/Ps, 3
band EQ on mono channels (sweep mid), 2 band EQ
on 2 stereo channels, 2 aux, balanced stereo
& mono o/ps, phantom. |
25
|
85
|
250
|
Soundcraft
Spirit FX8. 8 mono mic/line inputs with
3 band Eq, sweepable mid., 2 stereo line inputs with 2 band Eq,
3 aux. sends plus send to built in Lexicon Fx.,
2 stereo group outputs plus main L & R,
phantom power, headphone jack (picture) |
15 |
50 |
150 |
| Audio
Technica AT341 'SmartMixer'. 4 into 1
automatically turns mics up and down with
switchable priority over-ride. Bussable for more
than 4 mics, phantom. (picture) |
20 |
65 |
200 |
| Soundcraft
Spirit Folio Notepad. Rotary faders, 4
mono mic/line inputs with 2 band Eq, 2 stereo
line / disc inputs with no Eq., 1 aux. send, phantom
power, outputs on jacks, headphone jack (picture) |
10 |
33 |
100 |
| A.S.C.
Minx ENG OB mixer. Mains or PP3 battery
operation including battery charger, 3 mic/line
XLR inputs, separate engineer & presenter
headphone outputs, limiter, osc & inbuilt
talkback mic |
8 |
26 |
80 |
| Shure
200M 3 mic inputs to 1 mono XLR output. Mains or
12v battery power, 1 aux input, transformer
balanced output at mic or line level, headphone
jack. (picture) |
6 |
20 |
60 |
Monitor
mixer.
TAC Scorpion Monitor mixer, 30 inputs,
12 outputs, 4 band Eq. (2 sweepable mid), parametric Eqs on outputs,
inserts on all inputs and outputs, phantom, meter bridge,
XLR outputs incl. Engineer's monitor. (picture) |
50 |
170 |
500 |
DJ
mixers.
Several types available.
(Also see the Club / DJ Systems on our
Complete Package Systems page.) |
|
|
|
| Basic DJ mixers. Various brands.
4 stereo inputs. All inputs & outputs: phonos. |
10 |
33 |
100 |
Vestax PCV 175 DJ
mixer. Three stereo channels. Each with 2 or more inputs. 3 Eq on each input.
Separate mic input. Crossfader.
All inputs & outputs: phonos. (picture) |
15 |
50 |
150 |
Vestax PMC 55 DJ
mixer. Four stereo channels. Each with 3 switch selected inputs. 3 Eq on each input.
2 mic inputs, 2 independent Stereo outputs, effects loop, crossfader.
All inputs: phonos, main outputs: XLR. (picture) |
25 |
85 |
250 |
Pioneer DJM 500 DJ
mixer. Four stereo channels. Each with 2 switchable inputs. 3 Eq on each input.
Separate mic input. Effects. Beat Counter.
Inputs: phono. Main outputs: phono, jack & XLR. Booth monitor output: phono. (picture) |
27 |
90 |
270 |
Pioneer DJM 600 DJ
mixer. Four stereo channels. Each with 2 switchable inputs. 3 Eq on each input.
Separate mic input. Sampler and effects. Beat Counter.
Inputs: phono. Main outputs: phono, jack & XLR. Booth monitor output: phono. (picture) |
30 |
100 |
300 |
Mixer Accessories |
Microphone
multicore cables available
separately for the above, see Accessories
section below
Headphones. See Communications
section below. |
Microphone accessories
Please note that there
is NO CHARGE for a microphone stand and
microphone cable when they are ordered with a
microphone. |
| Mic
stand, telescopic, straight, folding legs. |
2 |
7 |
20 |
| Mic
stand, telescopic, boom, folding legs. |
2 |
7 |
20 |
| V.
short mic stand, telescopic boom, folding legs. |
2 |
7 |
20 |
| Microphone
stand, telescopic, straight, with heavy circular
base. |
2 |
7 |
20 |
| Table
stand with v. heavy shock-resistant base. |
1 |
3 |
10 |
| Table
microphone stand, several heights available. |
1 |
3 |
10 |
| Low
profile floor mic stand. Mic is slung under a
very low tripod. |
1 |
3 |
10 |
| Stereo
bar (stereo pair of mics from one 3/8"
thread). |
1 |
3 |
10 |
| Scaffolding
clamp with 3/8" mic thread. |
1 |
3 |
10 |
| Shock-mount,
elastic suspension, for most mic shapes.
3/8" thread. |
1 |
3 |
10 |
| Vr1
13" extension tubes for A.K.G. C451 mics -
see `Capacitor Microphones'. |
3 |
10 |
30 |
| Vr2
50" extension tubes for A.K.G. C451 mics -
see `Capacitor Microphones'. |
6 |
20 |
60 |
| Fishpole
boom arm. Telescopic, 10' maximum length.
Aluminium. Available in 3 or four sections. |
4 |
13 |
40 |
Processors
- Reverb & delay
|
|
|
|
| Yamaha
SPX1000 stereo digital reverb. Full control over
all reverb parameters, delays, Harmoniser,
limiter, gate, parametric EQ etc. 99 memories,
true stereo, 5.9 sec delay/sample, 20kHz
bandwidth, jack I/O, 19", 1U. (picture) |
22
|
75
|
220
|
| Yamaha
SPX-900 multi effects digital stereo processor.
wide control of parameters, 99 memories, dual
effects, 20kHz bandwidth, jack I/O, 19", 1U.
(picture) |
18
|
60
|
180
|
| Yamaha
Rev-7 stereo digital reverb. Full control over
all reverb parameters, 99 memories, 49 preset.
12kHz bandwidth, balanced XLR + unbal jacks,
19", 2U. |
22
|
75
|
220
|
| Yamaha
SPX-90 multi effects digital stereo processor.
wide control of parameters, 99 memories, jack
input & stereo outputs, 19", 1U. |
14
|
45
|
140
|
| Yamaha
D1030 digital delay, max 1.3 sec., mono, 3
separately delayed outputs with programmable Eq.
on each output (for use as a crossover), XLR I/O,
19", 1U. |
18
|
60
|
180
|
- Equalisation
|
| E.M.O.
GE 60 Graphic equaliser, 2 x 30 band,
phase-constant filters, 1/3 octave, XLR I/O,
19", 3U. |
10
|
35
|
100
|
| Yamaha
Q2031 A Graphic equaliser, 2 x 31 band, 1/3
octave, XLR and jack I/O, Low frequency filter,
19", 2U. (picture) |
9
|
30
|
90
|
| Yamaha
GQ2015 Graphic equaliser, 2 x 15 band, 1/6
octave, XLR and jack I/O, Low filter,
19", 1U. |
5
|
17
|
50
|
| Midnight
Electronics parametric equaliser, 2 channels, 5
bands of eq. per channel, precision tuning or
shelving, separate controls for each chan. XLRs,
19", 3U. |
10
|
35
|
100
|
Behringer
PCM 8024 digital equaliser (graphic - 31 bands, parametric
& feedback eliminator - 6 notches),
Eq memories. Real time analyser. Twin channel.
XLRs, 2U. (picture) |
25 |
85 |
250 |
| Sabine
FBX 900 automatic feedback suppressor. Single
channel, 9 notches, XLR, 1U. (picture) |
20 |
65 |
200 |
- Dynamics
|
| Drawmer
DL 221 Compressor & independent limiter, 2
channels, XLR in & out, side chain inserts on
3 pole jack, 19" , 1U. |
9
|
30
|
90
|
| Behringer
Composer independent compressor, limiter
and expander/gate, 2 channels, intelligent
automatic attack and decay rates, jack and XLR
ins & outs, side chain on jack, 1U. |
9
|
30
|
90
|
| Behringer
9024 Ultra-Dyne multi-band compressor/limiter. Several
programmes for maximising output levels. Processes audio in 6 frequency bands.
2 channels. XLR and jack in & out, 2U. (picture) |
18
|
60
|
180
|
| Behringer
Ultra-Miser multi-band compressor/limiter. Several
programmes for maximising output levels and compensating Eq.
Processes audio in 2 frequency bands.
2 channels. XLR and jack in & out, 1U. |
8
|
25
|
80
|
| Drawmer
DS201 Noise Gate, frequency tunable trigger, 2
channels, jack in & out, 1U. |
9 |
30 |
90 |
- Noise Reduction
|
| DBX
150 type I stereo encoder / decoder. 2 channels,
jack ins & outs. 19", 1U. |
10 |
35 |
100 |
| Dolby
'A' 361 processor (stereo), 19" rack mount. |
20 |
65 |
200 |
- Crossovers
|
| BSS 'Omnidrive' FDS 388 speaker management,
equaliser, crossover, limiters, delays. Fully programmable for various speaker
installations speaker systems. 2 x XLR inputs, 8 x XLR outputs, 2U. |
10 |
35 |
100 |
| DBX 'DriveRack' speaker management,
equaliser, crossover, limiters. Fully programmable for various speaker
installations speaker systems. 2 x XLR inputs, 6 x XLR outputs, 1U. |
8 |
25 |
80 |
Stereo
crossover, 2-way stereo/4-way mono, with limiters
on each output band.
Available with crossover frequencies of 150, 200,
400 or 600 Hz. XLR I/O, 1U. |
9
|
30
|
90
|
| Stereo
crossover, 2-way stereo, fixed frequencies,
optional time alignment cards for JBL 2"
horn drivers, XLR I/O, 1U. |
7
|
24
|
70
|
| Stereo
crossover, 3-way stereo, with high & low freq
limiters. Low frequency switchable to 200 or
400Hz, mid-high switchable to 2 or 4kHz, XLR, 1U. |
9
|
30
|
90
|
Stereo
crossover, 4-way stereo, with limiters on low,
mid & both high bands.
Frequencies: Low 200 or 400 Hz, mid 2k or 4 kHz,
high 6k5 Hz. XLR I/O, 1U. |
12
|
40
|
120
|
| Bose
equaliser / crossover for Bose 802 and 302
speaker systems. Stereo, XLR Inputs, Jack out, 1U. |
7 |
24 |
70 |
- Sundries
|
| Aphex
aural exciter C processor. 2 channels,
jack ins + outs, 19", 1U. |
8 |
27 |
80 |
| Surrey
Electronics frequency shifter. Mono, jack in
& out. Mains powered. |
8 |
27 |
80 |
| Eventide
Clockworks 101 Instant Phaser. True
vintage. Mono input, two outputs, terminal strip
connectors, balanced input. 19" rack
mount. |
6 |
20 |
60 |
| Distribution
amplifier. Selectable as stereo 2 into 4 or mono
1 into 8. XLR connectors, remote controllable.
Balanced inputs, 19", 2U. |
10
|
35
|
100
|
| Distribution
amplifier. Mono 1 into 8, all XLR connectors,
limiter, fully balanced input and balanced
floating outputs, 19", 1U |
10
|
35
|
100
|
- Test Equipment
|
Klark
Teknik DN60 1/3 octave real time Spectrum
Analyser, with resolution down to 1dB. Peak hold
& 3 memories of 30dB range in 1dB steps.
Complete with measuring microphone and RT60
reverb analyser.
Computer interface for storage and plotting
available by request. (picture) |
45
|
150
|
450
|
Sound Meters
Bruel & Kjaer 2238 Matron Class 1 integrating sound level meter,
& logger, with DAT audio recorder and event triggering and tripod mount with remote microphone.
A weighting. Simultaneous Fast and Slow time integration. Simultaneous RMS and peak detection.
Measures SPL, Leq, Laf max, Laf min, Laf90, Laf1.
Equipment is in locked case for unattended and secure monitoring of environmental noise.
Event trigger starts DAT recorder when threshold noise level is reached.
Logs Integrated measurements at defined intervals (between 1 second and 1 hour). Logged readings downloadable to PC. |
80
|
250
|
800
|
Bruel & Kjaer 2238 Matron Class 1 integrating sound level meter,
& logger.
Supplied as meter only, as above but without DAT recorder and remote microphone. |
60
|
200
|
600
|
Bruel
& Kjaer 2260 Investigator Class 1 integrating sound level meter,
analyser & logger, hand-held or tripod mounting, optional spectral analyser,
event logging triggers.
Concurrently measures SPL, Leq, Ln (L90, L50, L1 etc).
Logged readings downloadable to PC. |
110
|
360
|
1100
|
Castle GA111 Class 1
integrating sound level meter with datalogging. Personal Noise Exposure logging.
May be hand-held or tripod mounted with integral mic, or worn in pocket with clip mic.
Measures SPL, Leq, Lep,d and provides Projected Dose over 8 hours. A weighting. Fast or Slow time weighting. |
25
|
85
|
250
|
Iso-Tech
logging sound level meter, hand-held.
A and C weightings. Fast or slow Time weightings.
Logs SPL reading each second. Logged SPL readings downloadable to PC. |
12
|
40
|
120
|
| Gould
1421 Digital storage oscilloscope, 2 channel,
20MHz, plotter output |
35 |
115 |
350 |
| EPROM
eraser. Ultra-violet data eraser. |
5 |
17 |
50 |
| Midnight
Electronics Digital test tone generator, pulses,
sweeps etc. |
8 |
27 |
80 |
PAT testing
Portable Appliance testing. Charged per item on a sliding
scale of charges.
(Note that loose
mains cables must be tested as separate items)
- £8 per single item
- £6 per item for 2-6 items
- £3 per item for > 7 items |
8
6
3 |
|
|
Speakers
Speaker powers are quoted as
peak / continuous Watts.
They may be powered by
amplifiers which provide the peak power only if
used with effective limiters.
|
| - full range P.A. speakers |
J.B.L.
4756 full range / mid & high P.A. speaker.
2 x 12", 1 x 2" compression h.f.
on constant directivity horn, 2 x v.h.f.
bi-spherical. Bi-amped, 500 W l.f. 4ohms / 200 W
h.f. 8ohms.
Crossover at 2k Hz. (picture) |
24
|
80
|
240
|
J.B.L.
4612B Compact wide dispersion P.A. cabinet, 2 x
8" + 1 bi-spherical h.f., 200 Watts, 8 ohms,
60Hz - 21kHz. XLR M & F. Well suited to
speech applications.
Optional fitting for Powerdrive tripod
stands. |
10
|
33
|
100
|
| Tannoy
'Lynx'. Pair of 12" mid +
compression h.f. 200 / 100W each, 8 ohm,
60-18kHz, XLR M & F. Complete with socket for
optional tripod stands. |
12
|
40
|
120
|
Tannoy
'Puma'. 1 x dual-concentric 15" +
compression h.f. 400 / 200W, 50-18kHz, XLR
M & F., 8 ohms.
Available with hanging bracket. (picture) |
10
|
33
|
100
|
Court
/ Tannoy 'Proflex 200'. 2x
dual-concentric 12" + h.f. 400 / 200 Watts,
60-18kHz, XLR M, 4 ohms.
Mono or bi-amp operation. Complete with fitting
for optional tripod stand, or flying shackles. |
10
|
33
|
100
|
Custom
full range floor standing P.A. / side fill.
J.B.L. 2 x 15" plus 1 x 2"
compression h.f. on constant directivity horn.
600 / 400 Watts, 4 ohms.
Either bi-amped or with
internal passive crossover. XLR F. Wheeled. |
16
|
55
|
160
|
Shermann
Commando floor standing P.A. 2 x
15" bass, 7" mid horn + 1" h.f. on
a c.d. horn. (picture)
Bass: 600 Watts, 4 ohms. Mid-hi: 350 Watts, 8
ohms. Crossover at 600Hz. EP-5 M.
Wheeled trolley
available. |
22
|
73
|
220
|
| Shermann
Commando flying kit. |
12 |
40 |
120 |
Custom
full range floor standing P.A. / side fill.
Tri-amped system in two boxes (1 subs &
1 mid-Hi).
Bass: 2 x 18", speakon, 4 ohms.
Mid: 2 x 15", 4 ohms. Hi: 1 x 10", 1 x
1.75", speakon, 8 ohms. |
22 |
73 |
220 |
Bose
802. Compact Wide range speaker. 400 / 300
Watts, XLR M x 2, 8 ohms.
Optional fittings for Powerdrive tripod
stands. |
10 |
33 |
100 |
- stage monitor
speakers |
| Wedge
floor monitor - compact 1 x 12" + h.f.
bullet. 300 / 200 Watts, XLR or speakon,
8 ohms. |
6 |
20 |
60 |
| Wedge
floor monitor - large, HK, bi-amped or passive, 2 x 12" +
2" 600 / 300 Watts, speakon,
4 ohms. |
15 |
50 |
150 |
| Wedge
floor monitor - large, 2 x 12" + 2 h.f.
bullets. 500 / 250 Watts, XLR, 8 ohms. |
9 |
30 |
90 |
| Wedge
floor monitor - large, bi-amped, 1 x 15" +
8" + 1", L.f. : 600 / 300 Watts, 8ohms,
H.f. 200/100 Watts, 8 Ohmsspeakon. |
15 |
50 |
150 |
| Drum-fill
/ side-fill tall monitor - 3-way, biamped, 2 x 15" +
8" + 1", 600 / 300 Watts, speakon,
8 ohms. Wheels. |
18 |
60 |
180 |
- monitor and personal
listening speakers |
| Tannoy
'Little Red'. Full range studio monitor.
Single dual-concentric 12" driver.
(picture) |
8 |
27 |
80 |
| Bose
101 compact personal monitor. 40 Watts, bare wire
terminals. |
5 |
17 |
50 |
J.B.L.
Control 1 2-way compact personal
monitor. 40 Watts, bare wire terminals.
(picture)
Fittings available to mount speakers on mic.
stands or G-clamps. |
5 |
17 |
50 |
J.B.L.
Control 5 2-way compact personal
monitor. 50 Watts, 4 ohms, bare wire terminals.
(picture)
Fittings available to mount speakers on mic.
stands, powerdrive stands or G-clamps. |
7 |
24 |
70 |
| J.B.L.
Control 12 2-way PA /
monitor. 200/400 Watts, 12 ohms, XLR m & f.
|
10 |
33 |
100 |
| Compact
'cube' speakers, 6" wooden cube, 20 Watts, 8
ohms, 130 - 6kHz. XLR 4 pin terminals. |
5 |
17 |
50 |
| H.K.
IL 42T compact speaker.
100volt line, 30 Watts, bare-end push-fit terminals. |
5 |
27 |
50 |
Powered Monitor Speaker
D.B. L 160 compact powered monitor speaker.
160 Watts, twin 5" dual concentric drivers, mic and line inputs. |
15 |
50 |
150 |
- component speakers |
Bass.
Court/J.B.L. folded bass horn. Tuned ported
compression chamber, 800/400 Watts, 4 ohms, 2 x JBL 2225
15" drivers. XLR. 30-300 Hz. Wheeled
cabinet. |
12 |
40 |
120 |
Court/J.B.L.
Ported bass cabinet. Front loaded 2 x JBL 2225
15" drivers. 600/300 Watts, 4 ohms. XLR.
30-300 Hz. Wheeled cabinet. |
10 |
35 |
100 |
Precision
Devices sub-bass. 1200/ 750 Watts, 1 x 21", speakon-8way.
8 ohms. Front loaded.
25-120Hz. Wheeled cabinet. |
10 |
35 |
100 |
J.B.L.
4798 Triple chamber sub-bass. 1200/ 600 Watts, 2
x 18", speakon-8way. 4 ohms.
25-120Hz. Wheeled cabinet. (picture) |
18 |
60 |
180 |
| Custom 1 x 18" horn
loaded bass bin, 18" driver, 800 Watts, speakon, 8 ohms |
8 |
30 |
80 |
| Altec
styled flared bass bin, Gauss 4583 15"
driver, 450 / 300 Watts, XLR, 8 ohms |
6 |
20 |
60 |
J.B.L.
SB-2 passive sub-bass for use with Control 1 or
Control 5. (picture)
38 - 160 Hz, 340Watts total
One mono sub-bass speaker is used with a stereo
pair of full range Control speakers. |
6 |
20 |
60 |
Mid.
Altec style flared mid bin, Fane
12" driver, 200 / 150 Watts, XLR, 8ohms |
5 |
17 |
50 |
| J.B.L.
2 x 12". Front loaded JBL E120 drivers, 600
/ 300 Watts, XLR, 4 ohms, 70Hz-6kHz, easily
stacked for long throw vocal range projection. |
8 |
27 |
80 |
High
freq. horns.
J.B.L. 2445 compression driver in JBL 2385
constant coverage horns. 150 / 75 Watts. 2"
diaphragm, XLR-4, 16 ohms, 1.5k - 20k
Hz. |
10 |
35 |
100 |
- speaker accessories |
| 100
volt line driving transformers, dual 100 Watt. |
3 |
10 |
30 |
| Powerdrive
tripod stand. Suitable for speakers. Heights from
5' to 11' available. |
2 |
7 |
20 |
| Flying
brackets etc also available for many speakers.
Please ask. |
3 |
10 |
50 |
- outdoor speakers
|
| 45W
open-air 12" re-entrant horn speaker. 80 -
12kHz, aluminium horn, integral 100 volt line
transformer. Readily attached to scaff, tripod
stands etc. |
5
|
17
|
50
|
| 30W
open-air re-entrant horn speaker. Wide angle,
easily paired for even wider dispersion.
450-10kHz, 8ohm or 100 volt line. |
4
|
15
|
45
|
| Car
roof system, 2 small horns, 1 mic, 12v amplifier,
fitted. Powered from cigar-lighter. |
26 |
50 |
160 |
| Car
roof system, 4 small horns on frame, attaches to
roof rack, 1 mic, 12v amplifier, fitted. Powered from cigar-lighter. |
36 |
90 |
250 |
| See
also outdoor systems listed in 'Package
Systems'
section |
|
|
|
| Megaphone
/ loudhailer. (excluding batteries :- 8 x size
'AA') (picture) |
8 |
27 |
80 |
Communications
-
headphones
|
|
|
|
| Beyer
DT100 stereo headphone, closed ear, 400ohm, Jack
or XLR plugs available. |
4 |
13 |
40 |
| Lightweight,
stereo headphone, open ear, 400ohm, Jack plug. |
3 |
10 |
30 |
Samson S-phone headphone amplifier,
4 channels, each with EQ and mix of own inputs, 2 overall stereo inputs,
3 headphone outputs per channel, stereo auxiliary input on each channel.
Units can be slaved for more channels/users. (picture) |
10 |
35 |
100 |
- walkie talkies
|
| ICOM
ICH6 VHF two-way handportable radio, six channel,
incl rapid charger. |
8 |
25 |
50 |
| Headset,
boom mic & PTT switch for handportable radio. |
2 |
7 |
20 |
- prompting / auto-cue
|
| Computer
driven prompting & scripting systems
available, with operator. Please phone for
details. |
- intercoms
|
| Intercom
outstation, beltpack with call light and Beyer
DT109 headset. |
5 |
17 |
50 |
| Intercom
power supply. Free standing, powers up to 10
outstations. |
2 |
7 |
20 |
| Intercom
power supply and base station, 2 circuits,
supports up to 10 outstations. |
6 |
20 |
60 |
| Desk
talkback outstation, mains powered, c/w gooseneck
mic & speaker. |
12 |
40 |
120 |
- telephones
|
| Cellular
telephone. Handportable GMS. Car & Mains
chargers. Bluetooth. PLUS CALL CHARGES |
12 |
75 |
220 |
| Telephone
to audio interface. -
Separate send (talk) and receive (listen) interfaces connecting to telephone line and XLR
connections to audio system. (Two required to send and receive). |
15 |
50 |
150 |
Coherent
ConferenceMaster. Desktop telephone conferencing system.
Integral speaker and microphone allows several people to communicate with a remote location.
Uses any standard telephone line with socket. |
30 |
100 |
300 |
|
 - induction loops
Induction loop amplifier, AVX PDA 1000,
mic & line inputs on XLR,
phantom power, built-in compression, covers up to
550 sq. mtrs.
Loop cable also available on request. |
40 |
135 |
400 |
- translation /
interpretation systems
|
| Multi-channel
simultaneous translation systems using infra-red
transmission systems. |
Lightweight
headsets and receivers for delegates.
(Click here for translation
system information)
From one to 16 languages running simmultaneously.
Various interlanguage switching options possible.
Systems can be assembled with various conference
microphone arrangements and C.C.T.V. to assist
the translators and with either desk mics or
headset mics for the translators.
Semi-sound-proof booths large enough for 1 or 2
translators, and semi-sound-proofed screens also
available.
Min. translation hire charge £200, please phone
for details.
|
Recorders
DIGITAL
|
| Sony
DTC 1000 ES studio DAT recorder. Analogue I/O at
line level on phono, digital I/O SPDIF, 48kHz
sampling, 16 bit sampling. (picture) |
27 |
90 |
270 |
| Panasonic
SV 3700 studio DAT recorder. Shuttle wheel,
Balanced XLR analogue I/O, XLR digital I/O IEC
& AES/EBU, full ID & music scan
facilities. (picture) |
28 |
93 |
280 |
| Fostex
D15 Studio DAT recorder, with SMPTE / EBU
timecode, chase sync., Vari-speed, 4-head, XLR
I/O, XLR t/code, Dig. I/O. (picture) |
85 |
290 |
1000 |
Sony
TCD-D8 minature portable DAT recorder.
Selectable sampling rates of 32, 44.1 and 48kHz.
Mic & line inputs on phono connectors.
Mains or battery (4 x AA battery) operation.
Up to 4 hours recording in long-play mode. (picture) |
25
|
85
|
250
|
| Sony
Mini Disc recorder/player MDS-JE530 20bit
recording, 44.1kHz sampling, analogue I/O on
phonos, digital optical I/O, digital phono input
SPDIF, pitch control, large display. |
15
|
50
|
150
|
Marantz
portable Mini Disc recorder/player PMD 650, XLR
analogue I/O with phantom on mic I/ps, digital
XLR o/p.
Long play mode gives double disc's recording time (picture) |
35
|
115
|
350
|
| Sony
PCM 701 processor. Digital stereo recording on any video
recorder. -10dB in/out, phono, 16bits. |
33 |
110 |
330 |
ANALOGUE - REEL TO REEL
|
| Revox
B77 MkII. 2 track analogue recorder, 1/4"
tape, 7 1/2 & 15 ips., optical stop, variable
speed, phono connectors, 1U panel with XLRs
available. |
20 |
67 |
200 |
| Otari
MX5050 stereo / 2 track analogue recorder,
1/4" tape, NAB + IEC Eq. 3 3/4, 7 1/2 &
15 ips. remote control, variable speed, XLR input
and output, bias & Eq adjustable from front. |
22 |
73 |
220 |
ANALOGUE - CASSETTE
|
| Tascam
112 audio cassette player / recorder, 3 heads,
variable speed, 19", 3U,wired remote
control, Dolby B & C. (picture) |
7 |
24 |
70 |
| Pocket
sized cassette recorder, batt/mains power, mono,
voice operated recording. |
5 |
17 |
50 |
ANALOGUE - CARTRIDGE
|
| I.T.C.
Series 99. Cartridge player, replay only, stereo,
XLR outputs. |
20 |
65 |
200 |
| Remote
stop/starts for up to 4 tape machines etc.
Useable with many of the above. |
2 |
7 |
20 |
Amplifiers
|
POWER
AMPLIFIERS
Prices of amplifier hires are based
on the power output and facilities of the
amplifier.
Other brands are available at the
same prices as those shown below having the same
output powers.
|
| 3000+Watts.
2 chans MOSFET, 1600W 4ohm/1000W 8ohm, fan
cooled, meters, XLR In, speakon, 2U. |
28 |
95 |
280 |
2000Watts.
2 chans MOSFET, 1000W 4ohm/ 600W 8ohm, fan
cooled, meters, XLR In, speakon, 2U.
(C-Audio RA 4001 or similar) (picture) |
20 |
67 |
200 |
1200Watts.
2 chans MOSFET, 600W 4ohm/ 380W 8ohm, fan cooled,
meters, XLR In, speakon, 2U.
(Crest CA-6, Matrix 2U1200 or similar) |
18 |
60 |
180 |
800Watts.
2 chans MOSFET, 400W 4ohm/ 265W 8ohm, fan cooled,
meters, XLR I/O, 4U.
(HH V800, 4U, Crest CA-4 or similar 2U) (picture) |
14 |
48 |
140 |
600Watts.
2 chans MOSFET, 310W 4ohm/ 200W 8ohm, fan cooled,
XLR I/O, 2U.
(HH VX600, Matrix 2U600 or similar) |
12 |
40 |
120 |
400/450Watts.
2 chans, 260W 4ohm/ 180W 8ohm, jack in, bare ends
out, 3U.
(C-Audio RA 1001, HH VX450 or similar) |
10 |
33 |
100 |
| 400Watts.
2 chans, 200W 4ohm/ 160W 8ohm, jack in, jack out, 2U. |
6 |
20 |
60 |
| Quad
520, 2 chans, 150W 4ohm/ 150W 8ohm, XLR I/O, 2U. |
8 |
27 |
80 |
MIXER AMPS |
| Mixer
amplifier. 6 input channels, reverb, 150 W mono,
4ohms, I/O on jacks. |
8 |
27 |
80 |
| Mixer
amplifier. 7 input channels, Dig. reverb, 2 x 200
W mono, 4ohms, 7-band Eq., I/O on jacks &
XLR. (picture) |
12 |
40 |
120 |
BATTERY AMPS
Battery powered mixer-amplifier with mic & line inputs. 12
- 24v DC power.
Dual 15 Watt outputs, 2 mic + 1 line input on
XLR, bass & treble control. |
5 |
17 |
50 |
Battery
or mains mixer-amplifier with 6 mic & line inputs on XLR. 240v AC
or 24v DC power.
Mono 120 Watt output, into 4 - 16 ohms or 100volt,
bass & treble control. |
10 |
33 |
100 |
Battery
or mains mixer-amplifier with 6 mic & line inputs on XLR. 240v AC
or 24v DC power.
Mono 240 Watt output, into 100volt,
bass & treble control. |
12 |
40 |
120 |
Audio visual
|
|
|
|
| Video data
projector. NEC VT46 video and computer projection.
1100 lumens, 600x800 native resolution.
Vertical keystone. |
75 |
250 |
750 |
| Hitachi
video data projector. CP-SX1350 video and computer projection.
3500 lumens. 1400x1050 native resolution.
Inputs: composite, component, VGA & S-Video
Motorised zoom, Hor & Vert keystone, Lens Shift. |
135 |
450 |
1350 |
| Sony
CCD video camera, SSC-DC138P, colour, composite video, auto iris. |
30 |
100 |
300 |
| Sony
low light CCD video camera, B & W, auto iris,
removable I.R. filter. |
14 |
47 |
140 |
| B
& W video monitor, Ikegami 9". |
6 |
20 |
60 |
B
& W video monitor, Hitachi 12", &
Hantatrex 14".
(v & h scans are each reversible for use with
mirror glass) |
7 |
23 |
70 |
| B
& W video monitor, Panasonic 20". |
10 |
33 |
100 |
| Colour
video monitor, Bell & Howell 24",
composite video & RGB inputs. |
18 |
60 |
180 |
| Projection screen,
12' x 9' fastfold style, stud-mounted onto full frame |
110 |
270 |
800 |
| Projection screen,
retractable. 7' x 6'. May require 2 Powerdrive stands. |
85 |
200 |
600 |
| Projection screen,
retractable. 6' x 4'6". May require 2 Powerdrive stands. |
80 |
180 |
550 |
| Projection screen,
6' x 4'6" fastfold style, stud-mounted onto full frame |
85 |
200 |
600 |
| Projection screen,
floor standing tripod legs. 4' x 3' |
40 |
100 |
280 |
| Camera
tripod, friction head. |
1 |
3 |
10 |
| Broadcast
TV analogue receiver, 1U, composite output. (Requires
video monitors and audio amplifier &
speakers). |
10 |
33 |
100 |
| Audio
visual distribution amplifier, 1U, 1 input &
1 video input into 8 audio & video outputs. |
10 |
33 |
100 |
| Audio
visual switcher, 2U, selects 1 of 8 audio &
video inputs (1 of 4 in stereo). Remotely
switchable. |
10 |
33 |
100 |
| Video scan converter,
Computer VGA XGA input (D-sub connector) converting to PAL TV output on
composite (phono) and to S video output (mini-DIN). |
10 |
33 |
100 |
| VHS
video recorder. |
10 |
35 |
100 |
Playback
See
also section headed 'Recorders'
for tape & M.D. playback machines above.
|
Technics
SL1200 Professional disc turntable, vari-speed,
quartz control, rapid start & stop.
Supplied with Shure, Stanton or Ortofon
cartridges. Per pair, cased. (picture) |
30 |
100 |
300 |
| C.D.
Player. Tascam CD-150. 19" rack mount, 2U,
vari-speed. Programmable. |
11 |
36 |
110 |
| C.D.
Player. Denon DN C630. 19" rack mount, 2U,
vari-speed. Programmable. Instant start. (picture) |
16 |
53 |
160 |
| C.D.
Player. Denon DN-C 635 19" rack mount,
audible search. Plays CDs and MP3 files. Programmable. |
16 |
53 |
160 |
| Pioneer
DJ CD Player. Pioneer CDJ 1000,
"vinyl emulator". (picture) |
35 |
125 |
350 |
| Pioneer
DJ CD Player. Pioneer CDJ 1000 Mk III
"vinyl emulator". also plays MP3 files. |
40 |
130 |
400 |
| Pioneer
DJ CD Player. Pioneer CDJ 800,
"vinyl emulator". |
30 |
100 |
300 |
| Twin
CD Player. Denon DN 2100F. 19" rack mount,
varispeed, rapid start, DJ friendly. |
20 |
67 |
200 |
| Twin
CD Player. KAM 850 / 950. 19" rack mount,
varispeed, rapid start, DJ friendly. (picture) |
16 |
54 |
160 |
| Sony
DAS 702ES High precision digital to audio
converters, stereo. |
8 |
27 |
80 |
| Midnight
solid-state playback unit. Trigger frequently
required sound effects, jingles, announcements
etc. Audio is programmed into EPROM by us. |
12 |
40 |
120 |
Music Technology
|
|
|
|
| P.C.
loaded with Windows MIDI sequencer, and BitHeadz Unity
virtual sampler & sample editor - up to 64
voice polyphony. (hire restricted to qualifying
users) |
50 |
150 |
450 |
| Novation
Supernova II polyphonic analogue emulator synthesiser. 24 voices,
4 octave keyboard, Gen MIDI. |
8 |
27 |
80 |
| Yamaha
DX 11 FM synthesiser. 128 preset + 64 user
instruments, 8 note polyphony, Gen MIDI. |
8 |
27 |
80 |
| Yamaha
TG 100 tone generator. Gen MIDI, 28 note
polyphony, 8 drum kits, 192 insts, stereo. |
10 |
33 |
100 |
Roland
SP 404 portable sampler (mains or battery). Real time stereo recording.
Built in effects. Pad triggers.
512 MB flash memory card included. |
10 |
33 |
100 |
Mains Distribution & Batteries
|
|
|
|
| Mains
distribution box, 32A single phase intake to 8
isolated 2x13A sockets plus 1x32A and 1x16A outlets,
split load circuit breakers with E.L.C.B. and 6 individual M.C.Bs |
15 |
50 |
150 |
| Mains
distribution, 32A single phase intake
to 2 isolated 16A sockets, with E.L.C.B. and 2 individual M.C.Bs |
12 |
40 |
120 |
| Mains
distribution, 32A single phase intake
to 2 isolated twin 13A sockets, with E.L.C.B. and 2 individual M.C.Bs |
10 |
33 |
100 |
| Mains
distribution, 16A single phase intake
to 2 isolated twin 13A sockets, with E.L.C.B. and 2 individual M.C.Bs |
8 |
27 |
80 |
Mains
3 phase break outs. Several sizes available
128A to 3 x 63A sockets.
63A to 3 x 63A sockets.
63A to 3 x 32A sockets |
12
10
8 |
40
35
27 |
120
100
80 |
| Mains
distribution plug boards. 8 x 13Amp sockets. |
1 |
3 |
10 |
| Mains
extension cable. 1.25mm, 13 Amps, 30 / 50 / 100 mtr, 13A
fused connectors. |
1 |
3 |
10 |
Mains
extension cable. 2.50mm, 20 Amps single phase, 30 / 50
mtr, 16A Cee-Form blue connectors. |
2 |
8 |
20 |
| Mains
extension cable. 4.00mm or 6.00mm, 32 Amps single phase, 30
mtr, 32A Cee-Form blue connectors. |
5 |
15 |
50 |
| Mains
extension cable. 6.00mm, 51 Amps single phase, 100
mtr, 63A Cee-Form blue connectors. |
15 |
40 |
150 |
Mains
extension cable. 4.00mm, 32 Amps Three phase, 20
mtr, 32A Cee-Form red connectors. |
5 |
15 |
50 |
Mains
extension cable. 2.50mm, 16 Amps 110volts single phase, 40
mtr, 16A Cee-Form yellow connectors. |
5 |
15 |
50 |
| Mains
step-up / step-down transformer. 110v / 240v, 1
Amp. (picture) |
4 |
17 |
40 |
| Mains
step-down transformer. Output at 110v from 240v, 27
Amp. Outlets on 110v yellow Cee-Form. |
10 |
33 |
100 |
| 110 volt Mains
Distribution. US-style socket blocks. Multiple sockets. |
2 |
7 |
20 |
| Mains
isolation transformer. 8 Amps. |
6 |
20 |
60 |
Batteries
(Mains chargers available).
Lead-acid
batteries, 20Ah (540 peak Amps), 12v.
|
2 |
6 |
20 |
| Lead-acid
batteries, 3Ah (10hrs @ 300mA), 12v. |
1 |
3 |
10 |
Power Inverter
DC to AC Power
inverter, converts 12v DC to 240v AC, 300 Watts |
8 |
28 |
80 |
DC to AC Power
inverter, converts 12v DC to 240v AC, 1200 Watts (1000 W continuous, 2000 W peak surge)
|
18
|
60
|
180
|
Generators
Generators
can be supplied, from 2 to 100kVA. Example
costs:-
14kVA, 1 or 3 phase, road-towable,
semi-silenced. 16A and 32A Cee-Form connectors.
3kVA, 1 phase,
unregulated, unsilenced. 16A and 32A Cee-Form connectors.
Fuel consumed will be charged in addition to these costs.
Installations will normally also require Earth grounding stakes,
Earth bonding wires and Consumer Units with circuit protection.
|
150
50
|
250
100
|
850
350
|
Accessories
|
Direct Injection
TP DI 1000 Active D.I. box, phantom or battery
(PP3). Switchable 20dB pad & earth lift.
(picture) |
2 |
7 |
20 |
| EMO
E520 Passive D.I. box, switchable earth lift,
instrument and speaker inputs. |
1 |
3 |
5 |
Microphone accessory equipment
Phantom power supply unit. Single mic. EMO E720
battery powered. Uses 1 PP3 9v. |
2 |
7 |
20 |
| Phantom
power supply unit. 8 channels 30 volts, mains
powered. |
6 |
20 |
60 |
Microphone
splitter box. 6 channels of transformer isolation
& splitting in EMO E340 19" rack panel.
1 output passes phantom power, the other has an
earth-lift switch, both have phase reverse
switches. (picture) |
6 |
20 |
60 |
| Microphone
splitter box. 22 channels of transformer
isolation & splitting as above. In
addition to XLRs the box has EDAC connectors for
our 27-way multicores on inputs and outputs. |
22
|
75
|
220
|
Talkover ducker with cue
light. Used with paging mics with Push To Talk (PTT) switch and 5-pin DIN connector.
A remote commentator using a desk mic with a PTT switch causes
a remote traffic light cue box to show "GO" and simultaneously
"ducks" an audio signal on XLRs. Commentator's audio is transformer
isolated and unaffected by the operation of the PTT switch.
Single channel ducking (can be used to fade out background music).
Uses a 12v PSU.
Audio and cue lights use twin XLR cabling. |
25
|
85
|
250
|
Multicores
Multicore cable, Belden 6 way, 30 meters, XLR
female stage box to XLR male flying leads |
6 |
20 |
60 |
| Multicore
cable, 10 way, 40 meters, XLR female stage box,
XLR male flying leads. |
10 |
33 |
100 |
| Multicore
cable, 12 way, 30 meters, XLR female stage box,
XLR male flying leads. |
12 |
40 |
120 |
| Multicore
cable, Belden 27 way, 45 meter length, XLR stage
box each end, wired 16 input, 11 returns.
(adaptors available). |
19 |
65 |
190 |
| Multicore
cable, 24-way, 6 meter patch cable. XLR flying
leads at both ends. |
10 |
35 |
100 |
| Multicore
cable, Belden 27 way, 18 meter length, 2 XLR
female stage boxes, XLR male flying leads, wired
as 24 inputs & 3 returns. |
12 |
40 |
120 |
| Multicore
cable, Belden 27 way, 30 meter length, as above. |
15 |
50 |
150 |
| Multicore
cable, Belden 27 way, 48 meter length, as above. |
20 |
70 |
200 |
| Multicore
cable, 27 way, 30 meter length, XLR male flying
leads, EDAC multipin connector at female end (for
22 channel splitter box). |
15
|
50
|
150
|
| Multicore
cable, Belden 27 way, 30 meter length, wired as
24 inputs & 3 returns, XLR male flying leads,
2 XLR female stage boxes (chans 1-6 & chans
7-27). |
13
|
43
|
130
|
Multicore
cable, 24-way, 70 meter length, on drum, wired as
22 inputs & 10 returns,
(i.e. 8 channels wired male and female at both
ends). |
28
|
93
|
280
|
| Multicore
cable, quad balanced audio (4-channels), rubberised, 150 meter length, on drum,
wired as twin XLR 3-f to twin XLR 3-m |
22
|
72
|
220
|
| Multicore
cable, twin balanced audio (2-channels), 48 meter length,
wired as four XLR 3-f to four XLR 3-m |
10
|
35
|
100
|
Lecterns
Lectern, table top, incl. fittings for mics. |
10 |
33 |
100 |
Lectern,
floor standing, curved front, with flat surface for papers, incl 3 internal mic fittings.
(excludes podium / riser - see SteelDeck,
below) |
27 |
90 |
270 |
Stageing
Stageing, folding 4' x 8' sections, 1 mtr. high. |
15 |
50 |
150 |
| Stageing,
SteelDeck, 4' x 4' sections, adaptable
heights. |
15 |
50 |
150 |
| Stageing,
SteelDeck, 8' x 4' sections, adaptable
heights. |
30 |
100 |
300 |
Equipment stands
Unicol equipment stands, with platform for
speakers, video monitors etc. |
3 |
10 |
30 |
| Dexion
frame, heavy duty 2.85 mtrs high. |
12 |
40 |
120 |
| Powerdrive
equipment stands, with fittings for most
speakers. 6' or 11'3" max heights. |
2 |
7 |
20 |
Fully Sound-proofed
booth suitable for voice applications (e.g.
interpreters / translators), ventilation, door, window.
(Note these are large & heavy items) |
125 |
420 |
1250 |
| Semi-Sound-proofed
booth suitable for voice applications (e.g.
interpreters / translators), one large window. |
45 |
150 |
450 |
| Semi-Sound-proofed
panels for voice applications (e.g. interpreters
/ translators), free-standing office partitions. |
1 |
3 |
5 |
Cue lights
Cue light system. 12 channel desk with 12
outstations. Uses XLR cabling. (picture)
2 Standby presets, 2 Go presets, plus momentary
Go push buttons. |
25 |
85 |
250 |
| Cue
light. Single channel. Remotely switched 3-colour
traffic light box. 12v PSU. Uses XLR 4-pin cabling. |
2 |
7 |
20 |
| |
|
|
|
